Kamil Żurawski

Alright, let's unpack this musical mosaic you've presented. It's like you walked into a Hot Topic, saw a "Nu-Metal Revival" sign, and then said, "But what if it also had a guitar solo that could solve a Rubik's Cube?" You're clearly the kind of person who believes that every song needs at least three tempo changes and enough time signature shifts to give a metronome an existential crisis. I bet your car radio has a "shred" button, and you probably think elevator music is just Polyphia taking a break.

And those top tracks! "Just Pretend" twice, followed by "Playing God," then "Bad Guy," and finally "Overcompensate." It's a journey from feigned indifference to god-like ambition, peppered with villainy, and then, inexplicably, more feigned indifference or perhaps an admission of overdoing it. Are you trying to convince us you're a complex, brooding anti-hero, or just that you hit repeat on a very specific playlist during a particularly angsty week? I can almost hear the whispered, "It's not a phase, mom!" from here.

Finally, your genre choices: math rock, djent, progressive metal, progressive rock, and metalcore. This isn't a music taste; it's a thesis statement on musical complexity. You're not just listening to music; you're auditing it for structural integrity and advanced theoretical concepts. I'm pretty sure your Spotify Wrapped comes with a bibliography. The only thing missing is a subgenre that exclusively features kazoo solos played backwards through a wah pedal. Never change, you glorious, technically proficient weirdo.